自古逢秋悲寂寥：宋代名家画作中的冷暖秋色
https://x0.ifengimg.com/res/2021/9FF399B9BF7BCFFE6E4B3C2B0235EEC81F9D07DA_size314_w1080_h1238.jpeg所谓春女善怀，秋士易感，自古逢秋悲寂寥，古今数不清的文人借秋叙人生酸甜苦辣，留下诸多令人泪下的诗画之作，这在宋代词人中更甚！既有北方“塞下秋来风景异，衡阳雁去无留意”悲叹，也有南方“古道西风瘦马，夕阳西下，断肠人在天涯”的喟叹，还有“八月秋风秋怒号”悲鸣，无不感时花溅泪，恨别鸟惊飞。在此时的宋画中更多的展现了这种情结，可以体会到彼时人们对秋的留恋，或观物伤怀，且听这些宋画中秋之况味！秋之色https://x0.ifengimg.com/res/2021/62A2922D723B0764E333E52CEA75E59BD5ACD3F0_size133_w1080_h677.jpeg李唐《濠梁秋水图》https://x0.ifengimg.com/res/2021/34A72AA87D6509A900BCFB91E564C1F43545D87C_size431_w1080_h1989.jpeg五代 佚名 丹枫呦鹿图https://x0.ifengimg.com/res/2021/2D47D6240DB2D5B562CAEA98ED8CB038C119F917_size337_w1080_h1555.jpeg此图穷尽中国画“五彩”之能事，在有限的色谱阐述秋之绚烂，一如尘世间总是繁华过后尽疮痍，挽留一年最后的繁华！https://x0.ifengimg.com/res/2021/D57E84AB36392DF7963641FBBB50B44B2458798B_size376_w831_h2375.jpeg赵令穰《陶潜赏菊图》https://x0.ifengimg.com/res/2021/99AAC6FF422D9D90343939B037E12CD62ED1BA1D_size1000_w945_h4037.jpeghttps://x0.ifengimg.com/res/2021/9ACF6280F88DB6ED66D5EF5C5E37EC683203CC67_size125_w960_h858.jpeghttps://x0.ifengimg.com/res/2021/DD718048C8F1FC814B6916C37BE34F735D23EE9F_size203_w956_h1712.jpeghttps://x0.ifengimg.com/res/2021/600D8C7EF8FD6C83FB62B14DD6D30DBB6439DC26_size220_w960_h1856.jpeghttps://x0.ifengimg.com/res/2021/D3824489ADA0FC6C6F3270B90C76C7E106718BFE_size189_w960_h1406.jpeg赵昌《写生蛱蝶图》局部秋之声https://x0.ifengimg.com/res/2021/52AFF16214B10FCC8BD9672FB278A30880118680_size71_w1080_h651.jpeg马和之 《月色秋声图》https://x0.ifengimg.com/res/2021/7A0E75D7E8A83832C7DBCB225B9735066CCB0159_size265_w1080_h2032.jpeg崔白 《双喜图》https://x0.ifengimg.com/res/2021/F9D6A4F8CAF408B23DDDF5E21F9ABA28080F0F0D_size267_w1080_h1340.jpeghttps://x0.ifengimg.com/res/2021/1DCDA31B9EFD247779AC51BFED0F13C922AF4B79_size279_w1080_h1077.jpeg欧阳修谓秋之声，听沥沥雨，有萧瑟风，似惊涛拍岸，如钟鼓齐鸣，如千军万马刀剑霍霍。崔白此画可谓尽展彼时声也！https://x0.ifengimg.com/res/2021/EE8957AB452F4BAE2C2FFF0AB2E77BE88CC5A02C_size237_w1071_h997.jpeghttps://x0.ifengimg.com/res/2021/65346F27F98B95A68F3CF85CB1E921BC3F1B4B50_size6300_w1044_h2643.pnghttps://x0.ifengimg.com/res/2021/02806E29E25C8161D674902D5D11328A3D0DC116_size186_w1080_h1219.jpeghttps://x0.ifengimg.com/res/2021/F2E1ACAFFCA3C528153452482E0FA088C3F63A31_size324_w1045_h820.jpeg李迪 《 枫鹰雉鸡图》秋之气清浊还二仪，秋气飒然肃。溪洁潦已残，林疏条自矗。寒蛩思长階，归燕眷华屋。凋年自兹始，乡怀念松菊。- 宋 宋祁 《秋气》-https://x0.ifengimg.com/res/2021/C046BAF8B9D124E680C58C81C5B63DA47C364D95_size246_w1080_h1011.jpeg秋有嶙峋之气，马致远《天净沙·秋思》,枯藤，老树，小桥，昏鸦是典型的秋之形。“悲哉秋之为气也！萧瑟兮草木摇落而变衰，憭栗兮若在远行，登山临水兮送将归”，诗人总是看见月缺花残，黯然流泪，借物抒情在古人诗歌中无处不在，境界在宋画中体现为笔墨图式高度合一，这也是部分无病呻吟“文人画”的缺憾！https://x0.ifengimg.com/res/2021/2A65EABDF43F7B516DCADDB33DE94AD65EDA9ABF_size157_w1071_h1007.jpeg梁楷《秋柳双鸦图》https://x0.ifengimg.com/res/2021/1020B63AEABEA8CBA2454520468D3FD4E90AA59D_size155_w1080_h1175.jpeg郭熙《窠石平远图》北京故宫https://x0.ifengimg.com/res/2021/E3FBC6DC78C1E865E972CCE3525DA88C62EFD412_size501_w867_h3939.jpeg许道宁《渔父图》
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